It’s been a while since you heard some actual ramblings from me. I’ve been featuring a lot of book releases and their authors, and it’s been great fun. I feel very fortunate to know so many authors and it has certainly expanded my range of reading. With all the reading however, my work on The Empath is a bit behind schedule. Hopefully, November will give me a boost as I’m doing my best to participate in the #NaNoWriMo and produce 50.000 words. Mind you, if I achieve that goal, The Empath will be nearly finished. In all honesty, I’ve never written so many words in one month. I have good days, but if I have one of those, I feel really pleased with myself and fall back into this false sense of accomplishment and bumb around for a couple of days, quite annoying actually.
For me the new year has just begun. Samhuinn has come and gone and a very intense one it was. It is a time to let go of old things which aren’t useful anymore or are holding you back and a time to love and honour our ancestors. It is also a period of being reborn, new beginnings. Something even my muse picked up on, because he finally released his long awaited book ‘Selected‘. Perfect timing, though I doubt he’s aware of that, but it was a nice coincidence. And perhaps I’m not giving him enough credit, something I tend to do on more than one occasion. Not fair really.
Usually we celebrate Samhuinn between two burial mounds, guided by the Goddess Cailleach. This year, however, we invoked the Dame of the Dead, Santa Muerte. She has a very different energy and it was the first time I worked with that energy. It has left me with a mounting interest in her cult and so I leave you with a bit from the all-knowing Wikipedia. I wish you all a happy new year with blessings of Samhuinn xxx.
Nuestra Señora de la Santa Muerte or, colloquially, Santa Muerte (Spanish for Our Lady of the Holy Death), is a female folk saint venerated primarily in Mexico and the Southwestern United States. A personification of death, she is associated with healing, protection, and safe delivery to the afterlife by her devotees. Despite opposition by the Catholic Church, her cult arose from popular Mexican folk belief, a syncretism between indigenous Mesoamerican and Spanish Catholic beliefs and practices. Since the pre-Columbian era Mexican culture has maintained a certain reverence towards death, which can be seen in the widespread commemoration of the syncretic Day of the Dead. Elements of that celebration include the use of skeletons to remind people of their mortality. The worship is condemned by the Catholic Church in Mexico as invalid, but it is firmly entrenched among Mexico’s lower working classes and various elements of society deemed as “outcasts”.
Santa Muerte generally appears as a female skeletal figure, clad in a long robe and holding one or more objects, usually a scythe and a globe. Her robe can be of any color, as more specific images of the figure vary widely from devotee to devotee and according to the rite being performed or the petition being made. As the worship of Santa Muerte was clandestine until the 20th century, most prayers and other rites have been traditionally performed privately in the home. However, for the past ten years or so, worship has become more public, especially in Mexico City after Enriqueta Romero initiated her famous Mexico City shrine in 2001. The number of believers in Santa Muerte has grown over the past ten to twenty years, to several million followers in Mexico, the United States, and parts of Central America. Santa Muerte has similar male counterparts in the Americas, such as the skeletal folk saints San La Muerte of Argentina and Rey Pascual of Guatemala.